63 of 80 lots
63
Balthus (French, 1908-2001) Mais C\'était un de Leurs Grands Amusements de se Sauver dans la Lande (Study for Wuthering Heights, a double-sided work), 1933
Estimate: $8,000-$12,000
Sold
$5,000
Live Auction
Impressionist and Modern Art
Location
Chicago
Size
10 1/4 x 7 3/4 in. (26 x 19.7cm)
Description
Balthus

(French, 1908-2001)

Mais C'était un de Leurs Grands Amusements de se Sauver dans la Lande (Study for Wuthering Heights, a double-sided work), 1933

China ink on paper


10 1/4 x 7 3/4 in. (26 x 19.7cm)


Property from the Private Collection of Merle Reskin


This lot is located in Chicago.

Condition
Framed: 17 x 14 1/2 inches.In overall good condition. The sheet is taped to mat window verso on upper and lower verso edges; uneven toning around image perimeter; a horizontal fold line through the center; instances handling creases scattered throughout; one brown stain in lower right corner of verso, which is only somewhat visible on the recto. Additional images available upon request.
Provenance
Provenance:B.C. Holland Gallery, Chicago, Illinois.Exhibited:Chicago, Illinois, Holland Gallery, Exhibition of Balthus Drawings, September 23 - October 18, 1966.Literature:Virginie Monnier and Jean Clair, Balthus: Catalogue Raisonné of the Complete Works, Paris, 1999, pp. 486-487, no. I 1557 (illustrated).Lot Note:Between 1933 and 1935, Balthus produced a series of illustrations for a rare edition of Wuthering Heights, Emily Brontë’s tempestuous 1847 novel that had enthralled him since boyhood.The story’s spectral beauty lingered in him well into adulthood, taking shape in a suite of evocative ink drawings—one of which appears here. In this double-sided rendering, the star-crossed lovers, Heathcliff and Cathy, are portrayed as children frolicking in the wild expanse of the moors—those windswept lands that would awaken and doom their fated love.The 14 dreamlike sketches Balthus executed offer a glimpse into the intimate terrain of the artist's inner world: obsessive, poetic, and strange. They echo the fervid emotional landscape of Brontë’s prose, while foreshadowing the central motif of desire that would come to define his life’s body of work.